The Storm on the Sea of Galilee
Replica of Rembrandt’s The Storm on the Sea of Galilee from 17th century 2011, Oil on canvas, 60x80 cm
Christ and St Mary Magdalene at the Tomb
Replica of Rembrandt’s Christ and St Mary Magdalene at the Tomb from 17th century 2011, Oil on canvas, 60x70 cm
Ascension
Replica of Rembrandt’s Ascension from 17th century 2011, Oil on canvas, 60x80 cm
Mona Lisa
Replica of Leonardo’s Mona Lisa from 16th century 2007, Oil on wood, 53x77 cm
Icon Skopiotisa
Replica of the icon Skopiotisa from the 18th century, 2008, Egg tempera on wood - pastiglie technique with silver leafs, 37x49 cm
Old Man in Military Costume
Replica of Rembrandt’s Old Man in Military Costume 2003, Oil on canvas, 60x70 cm
Virgin and Child with St. Anne
Replica of Leonardo’s the Virgin and Child with St. Anne 2009, Oil on wood, 111x148 cm
Replicas
Each painting demands an individual approach in copying. The most complicated pieces often present a real challenge, especially when it comes to the indistinguishable color patterns of impressionists or extremely delicate sfumato technique. The most important thing is that the finished copy evokes exactly the same feelings as the original masterpiece. Then I have succeeded. [Continue...]
Retouching work
Retouch is limited to areas where the original form of the painting is damaged. Retouch imitates the original painters technique in the structure of a brush stroke as well as in the applied tone scale. This allows that preserved parts of the painting overcome in the visual experience of the observer. [Continue...] Events
In November 2011. I was a participant in a very interesting restoration workshop on retouching and filling materials for paintings. This three-day workshop was held at the Museu Nacional de Soares dos Reis in Porto, Portugal. It was organized by Portuguese conservation studio 20 | 21 Conservação e Restauro. [Continue...] 
